Double Indemnity () - Rotten Tomatoes
The plan is further complicated when Neff's boss Barton Keyes (Edward G. Double Indemnity ranks with the classics of mainstream Hollywood movie- making. . What happens later tests audience loyalty, but we're still firmly in the . It's the professional and loving relationship between these men that. Keyes reverses/returns the 'lighting ritual' by striking a match for Neff's cigarette narrative in Double Indemnity derives precisely from the way in which Keyes is man, Keyes, and it is the contradictions within Neff's relationship with Keyes that The film's narrative provides a series of tests by means of which Neff seeks to. Their faith in their story and each other sorely tested, Walter and Phyllis finally square off making of DOUBLE INDEMNITY: executives at Paramount: didn't believe Wilder writers: lightened piece with dialog / added “love story” Neff & Keyes . Phyllis: not new to murder: before marriage: worked as nurse: in this capacity.
Although wilder and Chandler basically deconstructed the novel and re-wrote it from the ground up, the basic story stands up: Insurance man and love-struck sap Walter Neff Fred MacMurray gets drawn into the web of femme fatale Phyllis Dietrichson Barbara Stanwyckwho wants him to bump off her no-good husband, while Edward G. Robinson plays the hard-bitten insurance dick and Fred's boss and friend Barton Keyes, who smells a rat.
Not to take anything from MacMurray or Stanwyck, but check out Robinson in the film -- he makes the most out of his limited time onscreen, delivering a powerful but nuanced performance, carrying all the agony and pain of a man caught between duty and friendship, and idealism and cynicism.
His relationship with Neff is almost as integral to the film's overall emotional and thematic impact as the one between Neff and Phyllis.
“Match Games” The Male-Male Relationship in Double Indemnity | SaveTomGranger
The doomed friendship between the two men is pure Chandler, all banter and unspoken affection, and in fact Keyes displays more than a passing similiarity to Marloweparticularly in his discussions of the "little man" in his chest who won't let him sleep until he sets the world right. A bit more screen time, and Keyes could have been one of the all-time great cinematic eyes. And evidently, I'm not alone in that opinion.
Due to the film's popularity, Robinson himself had high hopes of spinning off Keyes into a continuing character.
Power Dynamic in “Double Indemnity”
So, inCain wrote Nevada Moon, intending to sell it for serial publication to the slicks and from there to the movies.
The story focussed on Keyes, but it failed to sell to either market so Cain tucked it away. Eventually, he dusted it off, reworked it eliminating all references to Keyes and Double Indemnityand sold it to Avon, who published it as a paperback original, re-titling it Jealous Woman. Black Lizard reprinted it in under that title, with Keyes once again, if not the central character, at least very much the dominant force in it, and re-insterting the jettisoned references to Double Indemnity.
Dietrichson and his wife, with whom he plotted the first murder. Neff is not confessing to the police or to the family of the victims; he is confessing to Keyes Edward G. Robinsona man with he has an intimate personal and work relationship.
Double Indemnity; An Exploration of Exigencies for Agency – FILM NOIR
Film pus forth a model of male friendship that is wrecked by the intrusion of a woman Barbara Stanwyck. Both man male characters, Neff and Keyes, are single adult men, who have a symbiotic working friendship that is upset by the events of the film. Both men are considered to be at the top of their profession, in this way they are doubles. They both believe they can outsmart the company they work for. Neff tries to cheat it out of money, while Keyes believes he can run the company better than the executives.
Despite this seemingly antagonist relationship, they work well together. At one point, Keyes even tries to have Neff work for him as his assistant.
Keyes trusts Neff as a peer he even vouches for him when the company suspects him of being involved with the Dietrichson murder. The relaxed Neff has a calming effect on the excitable Keyes. At the very end, the roles are reversed. They communicate on two different levels. Neff shows his affection for Keyes, verbally. He mentions on three occasions that he loves Keyes, twice in the beginning and once at the end.
Keyes tries to show his affection by giving him things, when he offers Neff the job early in the film and when he offers him a martini at the end. The fissure between the two men was caused by Phyllis Dietrichson.