Prospero and Fernando in the Tempest - words | Study Guides and Book Summaries
Fatherly Figure Prospero and Miranda in The Tempest The relationship between Prospero and his daughter Miranda is one of the deepest and most interesting in the play. His paternal presence in her life is stronger than she is at first aware of, and Shakespeare displays this nicely. Free Essay: The short extract taken from “The Tempest” helps us learn a lot about the characters Prospero and Caliban and their relationship within the play. The Relationship Between Miranda and Ferdinand that which is beyond and above nature — is added, through the potent and benign art of Prospero. He has .
Ariel leads Ferdinand to Prospero and his daughter Mirandawith whom he instantly falls in love.
- What happens
Ferdinand, who is astounded that Miranda is even human, tells her that she is the most amazing woman he has ever encountered: Full many a lady I have eyed with best regard and many a time The harmony of their tongues hath into bondage Brought my too diligent ear: Ferdinand casts aside his grief and mourning for his father and friends, who he believes have all perished in the storm.
He instead envelops himself in his love and lust for Miranda, telling her that he will make her the "Queen of Naples". According to plan, Prospero uses Ferdinand's infatuation with Miranda to re-gain power, and eventually take his rightful position as Duke of Milan.
Accusing him of being a spy and traitor, Prospero keeps Ferdinand in isolation, and forces him to arbitrarily move logs and large sticks. However, further into the play, Prospero allows Ferdinand and Miranda to interact, and seeing their desire for one another he allows them to marry.
Much to his delight, Ferdinand is eventually re-united with his father and friends. They all return to Naples and Prospero regains his Dukedom.
How will this child of nature behave in the artificial world of "society? Who else would have dared to bring this innocent and ignorant creature — ignorant at least of all the conventional ways of social life — face to face with a lover, and that lover a prince, the flower of courtly cultivation and gallantry, as her very first experience of the new world to which she is destined to be transferred?
The result is one of the highest triumphs of his art, — because, as he himself has said in referring to the development of new beauty in flowers by cultivation, "the art itself is nature" Winter's Tale, iv. This modest wildflower, under his fostering care, unfolds into a blossom of rarer beauty, fit for a king's garden, without losing anything of its native delicacy or sweetness. Jameson says, "There is nothing of the kind in poetry equal to the scene between Ferdinand and Miranda.
Ferdinand (The Tempest) - Wikipedia
To the most of men this is a Caliban, And they to him are angels. And again must "inward laughter" have "tickled all his soul" to borrow Tennyson's phrase when Ferdinand is piling the logs, and the sympathetic girl comes to cheer him, little suspecting that Prospero is hidden within earshot. Love has made the artless maiden artful, and she suggests that the young man may shirk the unprincely labour for the nonce: Miranda's frank offer to carry logs while Ferdinand rests is a natural touch that might at first seem unnatural, but how thoroughly in keeping with the character it is after all.
This child of nature, healthy, strong, active, familiar with the rough demands of life on this uninhabited island, and unfamiliar with the chivalrous deference to woman that exempts her from menial labour in civilized society, sees nothing "mean" or "odious" or "heavy" in piling the wood, as Ferdinand does; and when he resents the idea of her undergoing such "dishonour" while he sits lazy by, nothing could be more natural than her reply: As he says later: Hear my soul speak: The very instant that I saw you, did My heart fly to your service; there resides, To make me slave to it, and for your sake Am I this patient log-man.
Both are wonderfully fresh and natural for the products of court training; both fall in love swiftly and completely; both have that tender grace, that purity of affection, shown in many others, but never more perfectly than in them.
Theirs is not the wild passion of Romeo and Juliet; there is nothing high-wrought and feverish about their love-making; it is the simple outcome of pure and healthy feeling; and it is difficult to say which gives us the prettier picture — Ferdinand holding Miranda's little hands on the lonely shore, or Florizel receiving Perdita's flowers among the bustle of the harvesting.
Ferdinand has the most fire and energy, though he should not have been the first to desert the ship in the magic storm.